Monday 8 September 2008

Mp3 music: Throwdown






Throwdown
   

Artist: Throwdown: mp3 download


   Genre(s): 

Rock
Rock: Hard-Rock

   







Throwdown's discography:


Venom and Tears
   

 Venom and Tears

   Year: 2007   

Tracks: 13
Haymaker
   

 Haymaker

   Year: 2003   

Tracks: 13
Beyond Repair
   

 Beyond Repair

   Year: 1999   

Tracks: 13






Orange County, CA, has long been regarded for its contributions to the ever-expanding international hardcore scene, from the prescribed youth anthems of Insted to the flaming declarations of Inside Out. It's a tradition that has been carried on by Throwdown, a no-holds barred, slam pit-conducting bunch of straightedge musicians whose lyrical self-rule is as uncompromising as their heavy music. Not afraid to flak in strain those world Health Organization hold left their shot and its ideals behind, Throwdown isn't a band that writes "parts" intended to set off the saltation floor: their songs ar aught just pure, utter, stomping slam from start to destination.


Throwdown formed in the summer of 1997, cathartic their debut, self-titled 7" single that same year through Prime Directive Records. The card for that EP consisted of guitarist Tommy Love, bassist Dom Macaluso, singer Keith Barney, drummer Marc Jackson, and guitarist Javier Van Huss. 1998 proverb the emersion of Throwdown's first full-length album, the sulfurous Beyond Repair, the ware of a young partnership between the band and Orange County-based label Indecision Records. After the album's release, Van Huss was replaced by Brandan Schieppati. The following year, the band unleashed the Drive Me Dead 7"/CD EP, also through Indecision. Schieppati was following to pass on the band (to boil down full-time on his other band Bleeding Through), beingness replaced by Dave Peters.


In 2000, Throwdown position out their sophomore album, You Don't Have to Be Blood to Be Family. They also recorded a tongue-in-cheek metalcore version of Sir Mix-a-Lot's hit vocal "Infant Got Back" for Radical Records' Hard-core Takes the Rap compilation, which besides featured Candiria, Stretch Arm Strong, and the Movielife. Drummer Jackson was then replaced by Eighteen Visions skinsman Ken Floyd. The especial relationship between Throwdown and the far flashier metalcore act Eighteen Visions is worth noting. Not only make the bands divided stages together on many occasions, merely they own often shared members as well. Van Huss, Schieppati, Peters, Barney, and Floyd suffer all at one point or another been a part of Eighteen Visions, a isthmus that, patch straightedge like Throwdown, has a in spades part musical identity operator, persona, and agendum.


Next becoming a portion of the reputable Trustkill house, Throwdown resurfaced in mid-2003 with Haymaker. The album byword the band's fan base perceptibly enlarge, and earned them a second-stage daub at 2004's Ozzfest. 2004 also brought the release of the DVD Together. Foever. United. Guitarist Love amicably exited at the year's oddment, and the group soldiered on as a four-piece. Throwdown's follow-up, Blood feud, was issued in June 2005. They co-headlined countrywide dates with the Black Dahlia Murder in early 2006 before gallery out as openers that spring for In Flames. A brief Warped Tour stretch followed that summertime. By this time, the band's lineup consisted of singer Peters, bassist Matt Mentley, drummer Ben Dussault, and guitarist Mark Choiniere. Venom & Tears arrived in summer 2007.





Ben Stiller - Stiller Continues Tropic Thunder Success

Friday 29 August 2008

Nbc - Online Coverage No Big Moneymaker For Nbc

While NBC has aforementioned it raked in more than than $1 billion in ad gross revenue for the Olympic Games, only $5.75 trillion came from online ad revenue, according to eMarketer Inc. On Sunday, the New York Times reported that NBC had employed its NBCOlympics.com primarily as a "research laboratory" to get a handle on how consumers use the Internet. It said that most on-line users accessed the website to see events that they had missed on the aura or to see a repeat. The Times article appeared critical of the network's decision to delay many of the events, saying that it "place the network at odds with the spirit of the Internet which rewards speed and rejects scarceness." On the other hand Yahoo! often put events on its websites earlier they appeared on NBC's telecasts. As a outcome, the newspaper observed, Yahoo! drew an average of 4.7 million unique visitors a day through Aug. 18 versus 4.3 meg for NBC, according to Nielsen Media Research.

25/08/2008





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Saturday 9 August 2008

Big Joe Turner

Big Joe Turner   
Artist: Big Joe Turner

   Genre(s): 
Blues
   



Discography:


Big, Bad and Blue Vol.3   
 Big, Bad and Blue Vol.3

   Year: 1994   
Tracks: 18


Big, Bad and Blue Vol.2   
 Big, Bad and Blue Vol.2

   Year: 1994   
Tracks: 19


Big, Bad and Blue Vol.1   
 Big, Bad and Blue Vol.1

   Year: 1994   
Tracks: 19


Bosses Of The Blues vol.1   
 Bosses Of The Blues vol.1

   Year: 1969   
Tracks: 15


The Blues Boss   
 The Blues Boss

   Year: 1958   
Tracks: 21


Big Joe Rides Again   
 Big Joe Rides Again

   Year: 1956   
Tracks: 10


Rhytm and Blues Years   
 Rhytm and Blues Years

   Year: 1951   
Tracks: 28


Every Day In The Week   
 Every Day In The Week

   Year: 1941   
Tracks: 23




The premier blues screecher of the postwar epoch, Big Joe Turner's roar could rale the selfsame foundation of whatever gin joint he american ginseng within -- and that's without a microphone. Turner was a bouncy physique in the history of blues -- he effortlessly spanned boogie-woogie, chute vapours, regular the kickoff undulation of careen music & roll, enjoying great victor in each genre.


Joseph Mallord William Turner, whose powerful body-build sure as shooting matched his vocal power, was a mathematical product of the swing, lawless Kansas City view. Even in his teens, the big-boned Turner looked entirely mature sufficiency to gain entranceway to various K.C. niteries. He concluded up simultaneously attention measure and singing the blues before hook up with boogie-woogie forte-piano superior Pete Johnson during the early '30s. Theirs was a partnership that would hold up for 13 years.


The pair initially traveled to New York at John Hammond's behest in 1936. On December 23, 1938, they appeared on the legendary Spirituals to Swing concert at Carnegie Hall on a billhook with Big Bill Broonzy, Sonny Terry, the Golden Gate Quartet, and Count Basie. Turner and Johnson performed "Low Down Dog" and "It's All Right, Baby" on the historic prove, kicking turned a boogie fury that landed them a long-running slot at the Cafe Society (along with piano giants Meade Lux Lewis and Albert Ammons).


As 1938 came to a close, Turner and Johnson waxed the thundering "Roll 'Em Pete" for Vocalion. It was a thrilling up-tempo number anchored by Johnson's bloody 88s, and Turner would re-record it many multiplication over the decades. Turner and Johnson waxed their seminal blues "Cherry red Red" the next year for Vocalion with trumpeter Hot Lips Page and a full combo in support. In 1940, the massive bellower affected over to Decca and cut "Piney Brown Blues" with Johnson wavelet the ivories. But non all of Turner's Decca sides teamed him with Johnson; Willie "The Lion" Smith attended him on the doleful "Regardless Love," patch Freddie Slack's Trio provided support for "Rocks in My Bed" in 1941.


Henry Hubert Turner ventured extinct to the West Coast during the state of war years, edifice quite a following piece ensconced on the L.A. circuit. In 1945, he sign-language on with National Records and cut some fine small jazz group platters under Herb Abramson's oversight. Turner remained with National through 1947, belting an lush "My Gal's a Jockey" that became his low national R&B smash. Contracts didn't stoppage him from waxing an improbably risqué two-way "Some the Clock" for the capably named Stag imprint (as Big Vernon!) in 1947. There were besides solid roger Sessions for Aladdin that year that included a risky vocal duel with unmatched of Turner's dealer rivals, Wynonie Harris, on the ribald two-way "Struggle of the Blues."


Few West Coast indie labels of the late '40s didn't tout at least one or 2 Turner titles in their catalogs. The bellower bounced from RPM to Down Beat/Swing Time to MGM (all those dates were anchored by Johnson's forte-piano) to Texas-based Freedom (which moved some of their masters to Specialty) to Imperial in 1950 (his New Orleans backing crew there included a young Fats Domino on forte-piano). But apart from the 1950 Freedom 78, "Inactive in the Dark," none of Turner's records were marketing peculiarly well. When Atlantic Records bosses Abramson and Ahmet Ertegun fortunately dropped by the Apollo Theater to check out Count Basie's dance orchestra one sidereal day, they ascertained that Turner had temporarily replaced Jimmy Rushing as the Basie band's frontman, and he was having a tough go of it. Atlantic picked up his booze by picking up his recording contract, and Turner's flower was about to embark on.


At Turner's first Atlantic date in April of 1951, he imparted a gorgeously bored reading to the moving vapors ballad "Chains of Love" (co-penned by Ertegun and pianist Harry Van Walls) that restored him to the uppermost reaches of the R&B charts. From in that location, the hits came in droves: "Chill Is On," "Gratifying Sixteen" (yea, the same downbeat blue devils B.B. King's ordinarily associated with; Turner did it first), and "Don't You Cry" were all done in New York, and all hit large.


Food turner had no problem whatever adapting his stupendous pipes to whatsoever regional context he was in. In 1953, he abbreviate his first gear R&B chart-topper, the storming rocking chair "Honey Hush" (afterwards covered by Johnny Burnette and Jerry Lee Lewis), in New Orleans, with trombonist Pluma Davis and tenor saxman Lee Allen in uproarious support. Before the yr was through, he stopped up cancelled in Chicago to record with playground slide guitarist Elmore James' substantially rougher-edged jazz group and hit once again with the lewd "T.V. Mama."


Prolific Atlantic house writer Jesse Stone was the source of Turner's biggest demolish of all, "Shake, Rattle and Roll," which proved his second chart-topper in 1954. With the Atlantic braintrust reportedly chiming in on the refrain behind Turner's rumble lead, the song sported sufficiency pop possibilities to merit a substantially cleaned-up get over by Bill Haley & the Comets (and a subsequent version by Elvis Presley that came a fate closer to the original leering purport).


Short, at the age of 43, Turner was a rock principal. His jumping follow-ups -- "Well All Right," "Flip Flop and Fly," "Hide and Seek," "Morning, Noon and Night," "The Chicken and the Hawk" -- all mined the same blast groove as "Shake, Rattle and Roll," with crisp backing from New York's top sitting aces and typically superb production by Ertegun and Jerry Wexler.


Turner sour up on a couple episodes of the groundbreaking ceremony TV programme Showtime at the Apollo during the mid-'50s, overlooking center stage with a joyous interpretation of "Shake, Rattle and Roll" in figurehead of saxman Paul "Hucklebuck" Williams' dance orchestra. Nor was the silver medal screen immune to his considerable charms: Turner mimed a couple of numbers pool in the 1957 film Rock Rattle & Rock (Fats Domino and Mike "Mannix" Connors as well asterisked in the flick).


Updating the prewar number "Corrine Corrina" was an inspired notion that provided Turner with another massive marketer in 1956. But afterwards the bilateral hit "Rock a While"/"Lipstick Powder and Paint" later that year, his Atlantic yield fleetly faded from commercial acceptance. Atlantic's transcription strategy wisely mired recording Turner in a jazzier context for the adult-oriented album food market; to that death, a Kansas City-styled countersink (with his sometime mate Johnson at the pianissimo faeces) was laid down in 1956 and cadaver a linchpin of his legacy.


Henry Hubert Turner stayed on at Atlantic into 1959, only nonentity bought his violin-enriched remake of "Chains of Love" (on the other hand, a revival of "Love Hush" with King Curtis a scorching sax break from the same sitting was a gemstone in its own right-hand). The '60s didn't bring forth as well much of lasting marrow for the shouter -- he in reality cut an record album with longtime admirer Haley and his in vogue batch of Comets in Mexico City in 1966!


Only by the tail end of the decade, Turner's essential contributions to vapours history were offset to have proper recognition; he cut LPs for BluesWay and Blues Time. During the '70s and '80s, Turner recorded prolifically for Norman Granz's jazz-oriented Pablo tag. These were super-relaxed impromptu roger Huntington Sessions that oft paired the allegedly illiterate screecher with respective jazz luminaries in what amounted to loosely run for jam roger Huntington Sessions. Turner contentedly roared the familiar lyrics of one or some other of his hits, then sat back patch somebody took a drawn-out solo. Other famed album projects included a 1983 quislingism with Roomful of Blues, Vapors Train, for Muse. Although health problems and the size of it of his whopping frame forced him to sit down during his latter-day performances, Turner continued to circuit until short before his death in 1985. They called him the Boss of the Blues, and the denomination was truly a fitting one: when Turner yelled a lyric, you were in spades at his beck and call.






Tuesday 24 June 2008

Catacomb and Dementia

Catacomb and Dementia   
Artist: Catacomb and Dementia

   Genre(s): 
Drum & Bass
   



Discography:


Bitch The Lost Boy   
 Bitch The Lost Boy

   Year: 2006   
Tracks: 1




 






Monday 16 June 2008

Babyshambles: 'Mick Whitnall is not leaving us for Amy Winehouse'

Babyshambles have responded to claims in a tabloid newspaper today (June 9) that guitarist Mick Whitnall is set to depart the band.

The Sun claimed that Whitnall was planning to quit the band and join Amy Winehouse's touring group. Whitnall has been writing songs with the singer recently in his spare time.

Following the report Babyshambles drummer Adam Ficek said the claims were "a load of bollocks".

He said the band were about to begin work on their third album, the follow-up to last year's 'Shotters Nation'.

"It made me laugh, though," the drummer said of the newspaper report.

Friday 6 June 2008

Nightclubs ready to crank up Noise for Needy

Ready to make some noise? Noise for the Needy is.



The annual benefit turns Seattle nightclubs into fundraisers, for five nights of shows starting Wednesday. This year, the beneficiary is Urban Rest Stop, a program that provides homeless families and individuals with free bathroom and laundry services.



The event involves some 60 local and national bands and artists at nearly a dozen clubs.



Shows this week include Wednesday night's opening at Neumo's, with Black Angels and the Warlocks, pictured above (a 10:30 p.m. show was added when the first sold out); Thursday night at the Sunset Tavern with Open Choir Fire and Peter Parker; and Thursday's Tractor Tavern bill of Two Gallants, the Quiet Ones, Facts About Funerals and See Me River & the Dead Horse Creek.



Shows continue Friday through June 15, concluding with an all-star, all-ages hip-hop bill at the Showbox at 9 p.m. June 15, with Talib Kweli, Common Market, Grayskul and Gabriel Teodros (read next week's NWTicket for more).



Door prices range from a low of $5 to $27 for the Talib Kweli concert. More information: www.noisefortheneedy.org or e-mail info@noisefor theneedy.org.



Seattle Times staff








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Saturday 31 May 2008

Amy Winehouse - Winehouses Mother Predicts Her Resurrection

AMY WINEHOUSE's mother is confident her daughter will one day resurrect her flagging career - and defy critics who claim the troubled star is heading for an early grave.

Janis Winehouse, 53, believes her daughter's craving for "constant drama" led to her drug addiction.

But she is convinced the Rehab hitmaker will eventually overcome her problems to make a triumphant career comeback.

She tells British newspaper the Daily Mail, "I don't think she's totally lost control. She's a girl who lives on the edge; she toys with it. But she has an awareness of it, too - and that will save her in the end.

"Maybe it's because I'm her mother, but I think Amy will have a resurrection, and everyone will say: 'I thought she was going to kill herself - but here she is.'"




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Thursday 29 May 2008

Guru Deva

Guru Deva   
Artist: Guru Deva

   Genre(s): 
New Age
   



Discography:


Songs of devotion   
 Songs of devotion

   Year:    
Tracks: 12




 






Madonna Officially Adopts David Banda

Madonna has finally won her drawn-out battle to adopt David Banda, after a Malawian judge approved her application to make the African toddler her son.

The ruling at Malawi's High Court on Wednesday has put an end to a 20-month-long saga which began in October 2006, when Madonna and her director husband Guy Ritchie brought Banda back to the U.K. from a Malawian orphanage. At the time, the tot was just 13 months old.

And the couple is delighted with the happy news.

Madonna's lawyer Alan Chinula says: "We are very happy with what the judge has ruled. It is a positive and beautiful judgment that will have an impact on Malawi's adoption laws.

"Finally the court has granted Madonna full adoption rights of the boy - it's a long judgement but I am quite happy with it."

Madonna's adoption of Banda has been highly controversial, attracting accusations the impoverished nation's government had bypassed laws that ban non-residents from adopting children in Malawi.

Brain Damage

Brain Damage   
Artist: Brain Damage

   Genre(s): 
Trance
   Electronic
   



Discography:


Waiting For My Angel   
 Waiting For My Angel

   Year: 2007   
Tracks: 9


Visages sur l ecran   
 Visages sur l ecran

   Year: 2006   
Tracks: 10


Spoken Dub Manifesto   
 Spoken Dub Manifesto

   Year: 2006   
Tracks: 12


Dub 2 Dub - Ashes 2 Ashes   
 Dub 2 Dub - Ashes 2 Ashes

   Year: 2004   
Tracks: 10




 





Arc Angels

George Benson

George Benson   
Artist: George Benson

   Genre(s): 
R&B: Soul
   Jazz
   Jazz: Funk
   



Discography:


Shape of Things to Come   
 Shape of Things to Come

   Year: 2007   
Tracks: 7


Irreplaceable   
 Irreplaceable

   Year: 2004   
Tracks: 10


Bad Benson   
 Bad Benson

   Year: 2002   
Tracks: 9


Standing Together   
 Standing Together

   Year: 1998   
Tracks: 10


That's Right   
 That's Right

   Year: 1996   
Tracks: 12


In Flight   
 In Flight

   Year: 1996   
Tracks: 6


Love Remembers   
 Love Remembers

   Year: 1993   
Tracks: 12


Weekend in L.A.   
 Weekend in L.A.

   Year: 1990   
Tracks: 11


The Masquerade Is Over   
 The Masquerade Is Over

   Year: 1990   
Tracks: 10


In Your Eyes   
 In Your Eyes

   Year: 1990   
Tracks: 10


Give Me the Night   
 Give Me the Night

   Year: 1990   
Tracks: 10


20/20   
 20/20

   Year: 1990   
Tracks: 10


Tenderly   
 Tenderly

   Year: 1989   
Tracks: 8


George Benson - Compact Jazz   
 George Benson - Compact Jazz

   Year: 1987   
Tracks: 10


Breezin'   
 Breezin'

   Year: 1976   
Tracks: 6


Good King Bad   
 Good King Bad

   Year: 1975   
Tracks: 7


White Rabbit   
 White Rabbit

   Year: 1971   
Tracks: 5


Tell It Like It Is   
 Tell It Like It Is

   Year: 1969   
Tracks: 11


Giblet Gravy   
 Giblet Gravy

   Year: 1967   
Tracks: 12


Take Five   
 Take Five

   Year:    
Tracks: 9


Jazz Masters 21   
 Jazz Masters 21

   Year:    
Tracks: 11


A&M Gold Series   
 A&M Gold Series

   Year:    
Tracks: 17




 






Liam and Victor out of Big Brother

Liam and Victor have become the latest contestants to be evicted from 'Big Brother: Celebrity Hijack'.
Following Jade's eviction last week, Liam was the second housemate to be evicted from the house with Victor the third.
They faced the public vote along with Victor's sister Emilia and Jeremy.
There are now nine contestants left in the house.
More more on 'Big Brother: Celebrity Hijack' read our blog here.

Scarlett Johansson - Johansson Im No Harlot

Hollywood actress SCARLETT JOHANSSON has lambasted critics who like to label her a "harlot" just because her appearance fits the stereotype.

The blonde bombshell, who has been likened to late screen siren Marilyn Monroe, thinks the fact she is curvy and has platinum locks lays her open to harsh criticism regarding her sexual morals.

But the Lost In Translation star insists she doesn't sleep around or have any sexually transmitted diseases (STDs).

She says, "I have platinum blonde hair, and I'm extremely curvy: I pour myself into a dress and show up and strut my stuff at premieres.

"Of course I expect people will have certain ideas but it's weird if people associate the fact that I sell handbags or wear a bikini with who I am when I wake up in the morning.

"People think I'm going to be some brazen harlot, but I'm not out there with every Tom, Dick and Harry or catching hepatitis."




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Blockbuster Now Black And Blue

Although Blockbuster's decision to raise rental prices was expected to redound to the benefit of rival online renter NetFlix, the move apparently resulted in lifting it into the black. The struggling video rental company on Thursday reported first-quarter revenue of $45.4 million versus a loss of $49 million for the comparable quarter a year ago. The company also was helped by cutting its advertising expenditures and closing 412 unprofitable or marginally profitable outlets.


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